- Codex Ephraemi Rescriptus
- Codex Ephraemi Rescriptus
• The last in the group of the four great uncial manuscripts of the Greek Bible, received its name from the treatises of St. Ephraem the Syrian (translated into Greek) which were written over the original textCatholic Encyclopedia. Kevin Knight. 2006.
- Codex Ephraemi Rescriptus
Codex Ephraemi Rescriptus† Catholic_Encyclopedia ► Codex Ephraemi Rescriptus(Symbol C).The last in the group of the four great uncial manuscripts of the Greek Bible, received its name from the treatises of St. Ephraem the Syrian (translated into Greek) which were written over the original text. This took place in the twelfth century, the ink of the Scriptural text having become partially effaced through fading or rubbing. Several Biblical codices are palimpsests (see MANUSCRIPTS OF THE BIBLE), of which Codex Ephraemi is the most important. After the fall of Constantinople it was brought to Florence; thence it was carried to Paris by Catherine de' Medici, and has passed into the possession of the National Library.Through Pierre Alix, Montfaucon, and Boivin, attention was called to the underlying text, and some of its readings given to the world. The first complete collation of the New Testament was made by Wetstein (1716). Tischendorf published the New Testament in 1843 and the Old Testament in 1845. The torn condition of many leaves, the faded state of the ink, and the covering of the original writing by the later made the decipherment an extremely difficult task; some portions are hopelessly illegible. Tischendorf, then a young man, won his reputation through this achievement. His results, however, have not been checked by other scholars, and so cannot yet be accepted without caution.The codex, of good vellum, measures 12 1/4 inches by 9 inches; there is but one column to a page, C being the earliest example of this kind. The writing is a little larger than that of Codices Sinaiticus, Alexandrinus, and Vaticanus; the first hand inserted no breathings or accents, and only the occasional apostrophe. The period is marked by a single point. Large capitals are frequent, as in the Codex Alexandrinus. The margin of the Gospels contains the Ammonian Sections, but not the numbers of the Eusebian Canons, which were probably written in vermilion and have faded away. The Euthalian chapters are missing; the subscriptions are brief. From these indications and the character of the writing, Codex C is placed in the first half of the fifth century, along with A. Tischendorf distinguishes two scribes (contemporaries), one for Old Testament, the other for New Testament, and two correctors, one (C2) of the sixth, the other (C3) of the ninth century; he conjectured that Egypt was the place of origin. With the exception of Tischendorf no modern has really studied the manuscript.Originally the whole Bible seems to have been contained in it. At present, of the Old Testament only some of the Hagiographa survive, in an imperfect state, namely nearly all of Ecclesiastes, about half of Ecclesiasticus and Wisdom, with fragments of Proverbs and Canticles -in all 64 leaves. About two-thirds of the New Testament (145 leaves) remain, including portions of all the books except II Thess. and II John; no book is complete. The text of C is said to be very good in Wisdom, very bad in Ecclesiasticus, two books for which its testimony is important. The New Testament text is very mixed; the scribe seems to have had before him manuscripts of different types and to have followed now one now another. "Sometimes", says Kenyon, "it agrees with the neutral group of manuscripts, sometimes with the Western, not unfrequently with the Alexandrian and perhaps oftenest with the Syrian". From certain displacements in the apocalypse, Hort infers that the book was copied from a codex of small leaves. Such an exemplar would not be used in church services and would have no guarantee of a good text. Possibly the rest of the manuscript was copied from similar codices.JOHN F. FENLONTranscribed by Sean HylandThe Catholic Encyclopedia, Volume VIII. — New York: Robert Appleton Company. Nihil Obstat. 1910.
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